A couple of shots of Feathers, my latest mosaic commission, which is now completed and installed.
I have an annual ritual of sorting through the to-read lists that spawn on every note-taking and bookmarking tool within my reach, and choosing fifty books to put on hold at the library to maintain the steady drip that feeds my reading addiction.
Or rather, it used to be an annual ritual. The last list of fifty took me two years to read. Leaving the office job eliminated not only the reading-devoted two-hour daily commute, but also the acute desire to escape into more interesting worlds.
Since resolving, a few years ago, to stop bingeing on entire oeuvres of newly discovered favorite authors and switch to a more balanced diet of fiction genres, non-fiction and classics, I’d started keeping notes of everything I’d read, which eventually turned into spreadsheets and… is this post getting too obsessive for general consumption? Want to see my pie charts?
Anyway, ahem… since I’m in the list-sorting phase now, I figured I’d share some stuff. Here’s a medley of bookish links:
My one unfailing source of book reviews and reliable recommendations. Expect to find the best new releases in science, technology, science fiction & comics here.
Since I usually peek at what people are reading in public anyway, I joined the new Toronto chapter of a shadowy book-lovin’ spy agency that reports on what people are reading in public places. You can follow us on Tumblr or Twitter. (There are also NYC, San Francisco and DC branches of CoverSpy which – depending on where you are of course – you may find more geographically appropriate.)
Goodreads is a book-centric social network. You share what you’re reading with your friends and get book recommendations based on “people who like this book also like these books” principle. It was bought by Amazon last spring, so you know they’re harvesting your data, but fortunately it doesn’t seem to be pushing sales. You can even set a library catalogue as your preferred place to get books when you discover new ones you want to read.
In the interests of science, I joined Goodreads and added everything I’ve read in the last five years, plus most of the books I own. (This took three days, btw – the sacrifices we make in search of better reading material.) It did recommend a bunch of books that look interesting, but, in the end, the main outcome of this exercise was to make me realize that the hundreds of books I’ve already read are just a tiny drop in the ocean of books I still want to read. If you’re on Goodreads, come friend me there, so we can float on the ocean of books together.
This is my first mosaic project on Wedi board, which is a foam-core cement board that’s waterproof and much lighter than plywood. Wedi is a German company with few Canadian retailers, but enough of us Toronto mosaicists blathered on about it to the lovely couple that owns GlassMosaicCanada that they started carrying it a few months ago. So I can now buy it close to home.
It was important to find a lightweight substrate for this mosaic because of the size of the project. Even on Wedi, the weight of all the faux-marble, glass and mortar is considerable, so I designed the piece in two parts to be more manageable in handling and hanging. The curvilinear shape is also made possible mainly thanks to Wedi, which can be easily cut using just a utility knife.
Feathers is a gift for my mother’s 50th birthday, intended to add much more va-va-voom to this crazy-coloured accent wall in my parents’ house than its current assortment of paintings imparts.
The design went through a few iterations (below), following requests that the two shapes fly apart rather than curve around each other, then flip open towards the top, then basically be made more like feathers. So hence the final design and title.
The materials used are all salvaged tile (mostly from the same scrap tile haul that supplied the materials for our backsplash), with the exception of the lime-green tesserae I bought to match the wall. This time I opted not to use the wet saw but to smash or nip the tiles into irregular chunks.
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A. Shay Hahn is a Toronto-based figurative painter whose distinctive style incorporates elements of pop and propaganda art. I interviewed him at The Cameron House, which will feature an exhibition of his new work during the month of November.
Shay sold his first drawing in Grade 1 to a classmate: “If you drew the best dinosaurs, you always had something going.”
Now that he makes his living painting, Shay seeks to demystify the process of buying and selling art:
“A lot of people think buying art is a mystery. They don’t know how to go about it.”
“People want art. They want to buy art. They want art in their homes. The just have no idea how to get it. You have to do so much to get people to see and buy art, it’s ridiculous. Why do they give away booze at art shows? To facilitate the sale of art.”
One of Shay’s strategies for selling his work is to make personal connections with the visitors when exhibiting at local venues like the Cameron.
“A lot of people show artwork in bars but they don’t make themselves a part of the place. If you have the space for a month, take advantage of it. Go and hang out there.
“I make sure to be here if my work is on the wall. If I see someone looking at it, I approach them and I talk to them.
“I think I’ve been lucky. Often, when someone is buying art for the first time, they’re buying one of my pieces. Because they see it, and they get it, and they relate to it. And they say, ‘I’ve never bought art before.’ I hear that from so many people.”
The Cameron also commissioned Shay to paint two murals in the front room this summer. Though the original plan had been to paint over the murals in the fall when it was time to hang art work on the walls again, the overwhelmingly positive response to them led the owners to reconsider. The murals will stay covered by a drape when the wall space is needed for exhibitions.
“The space really looks complete with them. These are big walls. Doing shows here, you really need to fill them up or the place looks empty.”
I comment on how colourful the Cameron murals are compared to his paintings.
“It’s a bar, it gets dark. So the best way to fight it is to put in oranges and reds and to really blow it up.
“But for my work, I think I only use six colours, really. I hate green, but I’m using it this year. Can’t stand green. It was a big move – I started using Windsor blue this year, that took a long time to get around to. I’m a Prussian blue guy.”
The capitulation to green may be due to Shay’s newfound love of gardening, which inspired the Victory Garden series of paintings.
“I don’t know if it was getting married or what, but I want to grow our own food. It’s like this impetus – I want to provide. Once we started pickling stuff and making jam, I thought, ‘Let’s start a vegetable garden.’ But we don’t have the room. Unless we tear out half the garden we already have.”
A. Shay Hahn’s paintings often feature strong women reminiscent of Soviet athlete or worker sculptures. He admits to enjoying propaganda art – “Because I like impact pictures” – but it’s not what informs his female figures:
“I think there’s a body type that I naturally tend to. The average woman is actually very strong-looking woman, not a skinny model type. What I try to do with a lot of work is something universal. Something where you can put yourself into the picture. And that’s why so many of them are turned around – you can put yourself into the body of the person.”
Several years ago, the first in a series of paintings of women with axes helped Shay solidify his artistic style:
“It was just this idea – this strong female standing there with an axe on her shoulder, looking at something in the distance, like ‘If something was coming towards me, I can take it on. I’m not afraid.’
“I’ve probably done thirty of them since then. People are crazy for them.
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If you noticed a hiatus here on the blog – or anything else awry with the universe, for that matter – I have a very good explanation: artistic temperament.
“Andy Warhol” – David Bowie
At the David Bowie Is exhibit, I learned that Andy Warhol didn’t think much of this song, but as far as I’m concerned it’s brilliant. Incidentally, Bowie’s portrayal of Warhol in Basquiat is spectacular too.
“Stage” – Live
They’re loud, they’re from the ’90s, they vehemently refuse to give up the stage. I can get behind that.
“Little Egypt” – The Coasters
You can tell this song is old because when the dude falls in love with the mindblowingly talented burlesque dancer, she has to give up her art for the priviledge of bearing him seven children. This wouldn’t happen now because women have made tremendous strides towards gender equality. She’d only have two kids, three tops.
“Do It With a Rockstar” – Amanda Palmer
Wait, needy lonely rockstars actually exist? Asking for a friend.
“Paperback Writer” – The Beatles
The only song about writers I could find is by a band I absolutely loathe, and the sad reality of this is not mitigated by the fact that the lyrics are actually pretty good.
“The Piano Has Been Drinking” – Tom Waits
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Come out this Saturday & Sunday 11 am – 6 pm to see my mosaics and the work of 250+ other artists & artisans at the QWAC outdoor show & sale in Trinity Bellwoods Park.
There are also art & music events happening Saturday night in nearby galleries & restaurants as part of Parkdale Nighcrawl. So come out for the art and stay for the party!
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Gosia is a Toronto-based artist who trained as an illustrator but is now transitioning from creating original paintings and small sculptural works to larger fine art sculpture.
I visited Gosia in her east end studio where she was putting the finishing touches on several new sculptures in preparation for an exhibition opening this week at Latitude 44 gallery.
How did the shift into sculpture come about for her after years of painting and illustration work?
“When I left school, you had to do a lot of cold-calling for illustration and I didn’t really have it in me.
“I had my website up, and I was getting a lot of requests to buy original illustrations, so I started doing more painting, and doing tiny local shows like the Gladstone – selling prints and some originals. And then the One of a Kind found me at one of those shows, and they asked me to apply, and I did and I got in. They wouldn’t let me sell prints, and I couldn’t just paint a million paintings, so I started making little Sculpey faces.”
Over the course of a couple of years, Gosia’s exploration of whimsical polymer clay faces, dolls, shadow boxes and elfish busts, eventually led her to attempt larger sculptural works:
“After a few years of that, I wanted to make big sculptures. I could feel it – I had this urge. Plus, I got skilled enough with my hands that I knew I could do it.”
Gosia exhibited her first three big pieces at The Artist Project last February:
“I had a really good response, so I’m trying to do more of that. Transitioning from craft into fine art – which is something that I always wanted to do. “
I ask her to tell me a little bit more about her process, which involves making a mold of the original sculpture and elaborating on some of the resulting casts with additional materials:
“I sculpt the original out of clay and I make a silicone mold. I can do whatever I want with it after I have the mold – I can use fabric or different types of clays and come up with new characters, different atmospheres.”
The original sculpture for Eva (pictured above) was bald, personalized with hair & headdress after the cast was made. Two other busts from the same mold – Luna and Pearl – were each made unique with their own additions.
Gosia is making a small number of editions of her latest sculpture, Shape of Her Eyes (also called the Penny bust, after the model who inspired it), without additional elaboration:
“The new stage is creating a sculpture that can stand on its own. [Penny] has hair, she is finished. But she’s still simple enough that I can add to it as well.
“And it’s fun – because I can have the edition and be proud of the piece I sculpted, but then I can also make new ones and explore, and have fun with it.”
Though her illustrations and smaller sculpted faces had a strong touch of the fantastic, the newer work is steering away from fairy tale motifs:
“I wanted to go a little bit more classic at this point. I was doing little elves and fairies and things like that for the last three years, and I feel like I explored that enough for now. I thought I’d go back and learn to do the human form without those elements. I find that more of a challenge right now.”
Why was the fantastic element so strong in her earlier work?
“I grew up in Poland, with a lot of stories about woodland creatures. There’s always something living in the woods – in cartoons and children’s books. So that stuff obviously influenced me and stuck in my head and whenever I was doing any kind of drawing – before I thought this would ever become a career – it was always those sorts of creatures and those sorts of ideas.”
Gosia is now focusing completely on sculpture and leaving the illustration work aside – and off her new website.
“It wasn’t because I didn’t like the old work that I was doing; I just had something else inside of me – this is going to sound cheesy – that had to come out. And without a clean break, I don’t feel that you get the chance to move on.
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Yes, it’s more than a little crazy, I agree. But isn’t it also illustriously grungy?
This is the first completed mosaic in the bathroom graffiti series I’ve started. This one represents the unholy mess at Sneaky Dee’s.
(More info & original photo I was working from in an earlier post: here.)
The whole bottom part of this is a mirror – which of course a joy to photograph – hence the artsy contorted photo shoot. Here is the same thing with the sky reflected:
There is stained glass, pieces of mirror, and four colours of grout in this thing but what I’m particularly proud of is how the “STEAL! records” sticker turned out.
If you want to see this insanity in person, come out to the Art Walk North this Friday or Saturday. It’ll be there. Messing with people’s minds.
This Friday & Saturday, Aug.16-17, come check out the inaugural Art Walk North in North York’s Mel Lastman Square.
The exhibit will feature over 60 artists, and I will be showing my fine arts mosaics at booth # 50. (Map after the jump.)
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A friend of mine commissioned this mirror for her hallway. Years ago, I painted a really trippy elephant for her, and by a strange dint of association she decided that the elephant needed some dragonflies to go with it. This kind of surreal logic appeals to me.
On the other hand, the request for an oval-shaped mirror didn’t appeal to me at all. Not after the mysterious trouble that plagued my last attempt to have a circle mirror cut to size, when the glass-cutting place had to redo it three times because there was always a tiny chip in the edge. I figured if circles were that troublesome, then ovals will surely be worse.
But since this is my very old friend and she asked very nicely, I relented after I found a frameless IKEA mirror of about the right size, which meant I could buy the mirror pre-made and just have to cut the plywood for the frame. This I could do myself with a jigsaw.
But you know what? Ovals are troublesome regardless of the material out of which you’re trying to cut them. Next time I’m asked to make an oval-shaped something, I will run away. (No, I won’t, I’ll just take the plywood to a laser-cutting place.)
To draw an oval of a specific size by hand, you use two pushpins and a piece of string. Pretty cool in terms of math, but pretty lousy in terms of precision drafting.
And then to center the smaller oval of the mirror inside the larger oval of the frame, a ruler’s no help at all. The only hope is to break out the pushpins and piece of string again. And let me tell you: IKEA has trouble with their ovals too. Their mirror wasn’t totally symmetrical either.
On the other hand, the dragonflies I’m quite happy with.