Playlist Friday: Creative professions

If you noticed a hiatus here on the blog – or anything else awry with the universe, for that matter – I have a very good explanation: artistic temperament.

“Andy Warhol” – David Bowie

At the David Bowie Is exhibit, I learned that Andy Warhol didn’t think much of this song, but as far as I’m concerned it’s brilliant. Incidentally, Bowie’s portrayal of Warhol in Basquiat is spectacular too.

“Stage” – Live

They’re loud, they’re from the ’90s, they vehemently refuse to give up the stage. I can get behind that.

Little Egypt” – The Coasters

You can tell this song is old because when the dude falls in love with the mindblowingly talented burlesque dancer, she has to give up her art for the priviledge of bearing him seven children. This wouldn’t happen now because women have made tremendous strides towards gender equality. She’d only have two kids, three tops.

“Do It With a Rockstar” – Amanda Palmer

Wait, needy lonely rockstars actually exist? Asking for a friend.
P.S. Awesome video, which I set to start 2 minutes in, where the song begins. Do watch the whole thing if you have time.

“Paperback Writer” – The Beatles

The only song about writers I could find is by a band I absolutely loathe, and the sad reality of this is not mitigated by the fact that the lyrics are actually pretty good.

“The Piano Has Been Drinking” – Tom Waits

And speaking of amazing lyrics…
Now I want a drink. Wait, that’s how the blog ended up on hiatus. Nevermind.

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Playlist Friday: Notes from space

This lunatic playlist is dedicated to Mars Curiosity, Sarcastic Rover, and the Interplanetary Internet.

“Planet of Sound” – Pixies

And you know that once the Interplanetary Internet gets going, people will be using it to illegally download music from the Planet of Sound. Pixies tried to get there using a fission drive, but they seem to have taken a wrong turn somewhere.

“Space Oddity” – David Bowie

Somebody else who got famously lost in space is Major Tom. Of course, if one was to compile a playlist of only the very best space songs, it would contain mostly Bowie. Having to choose just one of his, I’d say “Space Oddity” is the most intense and the creepiest. The lines “And the papers want to know whose shirts you wear / Now it’s time to leave the capsule if you dare” has much the same effect on me as that moment in horror movies when somebody says, “Look, there’s something moving in the forest, I’ll go and check.” You know that things are about to take a turn for the worse.

“Major Tom (Coming Home)” – Peter Schilling

From space horror to space-horror synth-pop, this German’s take on Bowie’s Major Tom story apparently topped the charts in 1983. I heard it for the first time yesterday – thanks to a tip from my husband, may his weird taste in music live long and prosper – and it is adorable.

“Spaceman” – Bif Naked

Bif Naked’s “Spaceman” was overplayed on MuchMusic in that sliver of the ’90s when I actually watched TV, but the reason this song will always have a special place in my heart is that Kat, my best friend in high school, would holler it at the top of her lungs while plugging her ears when she wanted to pointedly ignore whatever you were saying – in that way most people would yell “La La La, can’t hear you!” Not sure why. Fond memories.

“Astronaut (A Short History of Nothing)” – Amanda Palmer

Just think how much happier AFP’s relationship with the astronaut could have been if only the Interplanetary Internet was already in place. They could’ve kept in touch over Twitter and avoided the dismal lack of communication that got them into this twisted emotional head-space.

“In Space” – Ludo

Now imagine this is Amanda Palmer’s astronaut’s story from his point of view. Dramatic irony galore. Star-crossed lovers retold for the star-faring age. Juliet’s not really dead, only the letter where everything is explained never reaches Romeo. The astronaut is not emotionally distant at all, it’s just the lack of Interplanetary Internet.

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Amanda Palmer and The Grand Theft Orchestra at the Phoenix, Toronto

Having just wrapped up the European leg of her Theatre is Evil tour, and still recovering from bronchitis, Amanda Palmer put on a lavishly energetic, masterful rock show for an enthusiastic crowd at the Phoenix Concert Theatre last night.

Driven by the confident and charismatic singer, who was clearly in her element, the show felt both like a big hot glam punk performance and an intimate house party.

Introducing her first opening act – bass player Jherek Bischoff’s solo project – in a kimono, and doing a warm-up dance with the second, Amanda chatted affably with the audience, spoke warmly of her band members “who are not only great musicians but also beautiful people,” and complimented Toronto and “that place with the donuts and the coffee,” which the band had visited “at least three times” in the one day they’ve been in the city.

Jherek Bischoff, Amanda Palmer, The Simple Pleasure stretching arms up

Amanda Palmer warming up for “crancing” with the The Simple Pleasure.

She also shared proudly the fact that, minutes before the show, Trent Reznor tweeted a laconic compliment to her just-released “Do It with a Rockstar” video (NSFW).

The all-white clad Grand Theft Orchestra launched into the main part of the show with the instrumental “Grand Theft Intermission”, backed up by a string section enlisted from local Toronto violinists and cellists – a customary invitation Amanda extends to local musicians on every stop of her tour. One of the violinists set the record last night for the youngest person to play with GTO onstage, at 15 years old.

Three violinists in background, Amanda Palmer on keyboard on stage

Local Toronto violinists backing up AFP & GTO onstage at the Phoenix

With hit singles from the new record, Theatre is Evil, and older songs both from AFP’s first solo album, Who Killed Amanda Palmer? and her former band The Dresden Dolls, there was a satisfying musical variety of hard rock, pop rock and ballads in the set list. Visually stunning crowd surf performance during “Bottomfeeder” (see gorgeous pictures of it from the NYC show here) and slapstick band member changeover routine during “Missed Me” made for great entertainment. Often biting, but always thoughtful lyrics that dig deep under the surfaces of relationships made for an emotional experience.

intense AFP & GTO performance

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Fragments of culture: awesome upcoming Toronto events

If I missed these because someone who cares didn’t tell me about them on their blog, I would cry. To spare you this fate, here are some fantastic cultural events happening in Toronto this fall, in order of decreasing urgency:

Doctorow sliding down a rope in a red capeThis week:

Cory Doctorow – Boing Boing editor, sci fi author, Internet rights activist, world-renowned defender of our digital freedom and xkcd superhero – is making a number of appearances in Toronto area this week, including a reading from his new YA novel at Oakville Public Library on Wednesday Sep. 26 and a book launch party at Bakka Phoenix Books on Thursday Sep. 27.

October:

International Festival of Authors is happening Oct.18-28 at the Harbourfront Centre with readings, interviews and round table events with over 100 international authors, including some very famous ones like Alice Munro and some very awesome ones like the fantasy and weird fiction author China MiƩville.

November:

The spectacular punk cabaret musicians Amanda Palmer and the Grand Theft Orchestra are doing a show at Phoenix Concert Theatre on November 9th as part of the tour for their recently released Kickstarter-funded and much-lauded darkly pop & glamorously rock album Theatre is Evil. The world tour is sold out in most cities, but Toronto still has tickets. Expect a visually stunning high-energy show full of life, crowd participation, and probably toplessness.

These two videos are gorgeous and you should watch them. (Obligatory warnings: one is NSFW and the other is very bloody.)


Ongoing every Sunday till end of December:

The fantastic Queen St West blues & cabaret band Kevin Quain and the Mad Bastards, who’ve been playing Sunday nights at the Cameron House for the last seventeen years will be wrapping up this landmark Toronto gig at the end of December. Go see them there while you still can! There’ll be dark, soulful, smooth music as well as rousing barfly humour. Kevin Quain, in addition to his mastery of piano, accordion and guitar, is also likely to feature a black eye and play the musical saw.