Reclaimed objects: large beveled mirror

This mirror was an experimental design, made just a few days before I was to exhibit all my new mosaics at a fair and when I completed it I thought it was a bit of a mess and maybe I shouldn’t exhibit it at all. In the venerable tradition of last-minute artistic experiments that are a bit of a mess and are in a style very different from the rest of the works, it was a hit. People would glance at the mosaics on display and when they noticed this one in the lower corner, their eyes would light up, they would approach it reverently, examine the finish closely and then give me a look that said: “This other stuff is fine and all, but this one…!” Some even said this out loud.

Large beveled mirror with a stained glass mosaic frame

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The business card and the search for a really really ridiculously good font

Did you ever find yourself having to design your first business card while handicapped by caring deeply, intensely and probably irrationally about fonts?

I did. It entails hours of looking through free fonts until you realize that it’s 2 am and you have thirty tabs of potential fonts open and you can no longer see any differences between them. So then you go to bed confident that when you look at it all afresh the next day, the one true font will manifest itself in a halo of golden light. But in the morning you’re still nauseated by trying to tell these thirty nearly identical fonts apart and decide to look for another type of font entirely. Repeat with completely different search parameters.

Fine, you’re down to, like, six fonts, so you download them all and try them on your business card layout. No! At least four of them are all wrong! Too condensed! Cap height looks uneven! Kerning is all messed up! That’s what you get for looking for free fonts – amateurs! Have to find four new ones! Here, a detour into looking at fonts that you know you won’t use but that have flawless kerning.

At some point you realize that you will never love any of these fonts as deeply as you love the idea of finding the perfect font. So you settle for one that’s good enough. After all, you can make it better! A good enough font + hours of drawing tiny squares in Adobe Illustrator = Fragmentalist logo that’s assembling itself out of mosaic tiles! Good place to stop. It’s just going onto a piece of cardboard. No need to animate it.

The product of this drama is revealed after the jump. Please follow me behind this curtain of crazy awesome…

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