It’s another Friday! This calls for a celebration. Cheers!
“If You Don’t Start Drinkin’ (I’m Gonna Leave) ” – George Thorogood
George Thorogood’s problem is that he’s got too many good drinking songs. Oh, and also, he’s a really bad influence on his sober friends.
“Salt of the Earth” – The Rolling Stones
So you’ve succumbed to peer pressure and the evening’s first brew is in your hand – let’s toast to something worthwhile. Here’s to the hardworking people, the salt of the earth. The two (now seven) thousand million. Hopefully not to each one individually.
“Drinking Song” – Jason Webley
Your typical drinking song tends to sound like a sea chanty because the same rhythm that helps a bunch of people keep a cohesive pace while oaring also helps them keep a cohesive swaying and glass-thumping pace while boozing. I’m just guessing here.
Jason Webley, by the way, also collaborates with Amanda Palmer on Evelyn Evelyn – a conjoined twins act. Yeah. But I mostly like him because he sounds like Kevin Quain.
“Catch You in the Rye” – Kevin Quain
Who’s Kevin Quain, you ask? This guy. He kicks ass.
At this point in the evening, it’s time to dance.
“Jockey Full of Bourbon” – Tom Waits
Still dancing, but starting to trip up now.
“One Bourbon, One Scotch, One Beer” – John Lee Hooker
I like bourbon, so let’s stick with that. It’s last call anyway.
I can’t promise to do this every Friday, so some Fridays will be more special than others.
This Friday’s playlist was inspired by the lyrics of the Tom Waits song “After You Die,” which are composed entirely of similes. Similes and metaphors, as you know, are the basic literary trope much abused by poets and songwriters of all ages. So it’s pretty impressive that some of them are still managing to cram songs full of really good ones.
“After You Die” – Tom Waits
What is it like after you die? Pretty surreal, according to this bonus track on Tom Waits’ latest album, Bad as Me. A few great suggestions as to what the afterlife may be like include “Like a rich guy clapping” and “Like a wild-ass painting.” At least that’s how I always heard this line – “a wild-ass painting,” as in “a painting that blows your mind.” But I just saw this written on a lyrics site as “a wild ass painting,” as in “an undomesticated donkey creating a piece of visual art.” I think this interpretation rift may turn into a breakaway religious movement one day.
“Rain on the Midway” – Kevin Quain
A haunting love song from my favorite Toronto goth blues songwriter is a gripping answer to that age-old question once tackled in a Victorian sonnet – “How do I love thee? Let me count the ways”: I love you like tornadoes in spring, Like old guitar strings, Like Nina Simone sings…
Listen to it on iTunes and see if it doesn’t send shivers up your spine.
“Turn Me On” – Nina Simone
As for how Nina Simone sings – here she is, waiting to be turned on “like a light bulb in a dark room.” Gorgeous, heartbreaking song pleading for the return of a lover who left, which ends – appropriately enough – with a request for some fresh ice-cubes in her drink.
“Wild is the Wind” – David Bowie
It was Nina Simone’s cover of “Wild is the Wind” that inspired David Bowie to record his own version of this song. It compares the intensity of his love to the wildness of wind, which is as romantic as the wildness of the painting ass we encountered earlier is not. Incidentally, did you know David Bowie’s new albumThe Next Day is coming out in a couple of weeks and that he recently released a new wild-ass video for it, starring Tilda Swinton?